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                <text>Published: Wednesday, April 25, 2007&#13;
&#13;
&#13;
Tyler Hill&#13;
Staff Reporter&#13;
&#13;
After a weekend of national media coverage and student outcry, administrators decided Monday to rescind the ban on stage weapons that was enacted in the wake of the Virginia Tech massacre.&#13;
&#13;
Last week, Dean of Student Affairs Betty Trachtenberg told several students that realistic-looking stage weapons would no longer be permitted in Yale theatrical productions. Amid concerns that the restriction was inhibiting free speech, a group of administrators decided Monday to overturn the policy, Yale spokeswoman Helaine Klasky said. In the future, Yale will require that audiences be warned before performances that include scenes with fake weapons, she said.&#13;
&#13;
Trachtenberg had originally intended to ban all stage weapons, but was persuaded that obviously fake weapons should be permitted, Sarah Holdren &amp;#39;08 told the News last Thursday. Holdren directed this weekend&amp;#39;s production of "Red Noses," which was forced to use wooden swords instead of more realistic props. The restriction also affected the opera "Orpheus in the Underworld," which used balloon swords in place of its real-looking stage weapons.&#13;
&#13;
News of the University&amp;#39;s reversal was only released when a reporter from the Associated Press called Klasky on Monday evening to ask about the original restriction. Students have not yet been officially informed of the change in policy, Klasky said.&#13;
&#13;
Administrators, including Yale President Richard Levin, weighed in on the decision to overturn the ban after it became apparent that it concerned issues of free speech, Levin said. Although the administration will not censor future shows, he said, the Dean of Student Affairs still has the authority to regulate student productions.&#13;
&#13;
"The fundamental consideration was trading off artistic freedom of expression against concern about the potential emotional precariousness of audiences during the week of a mass murder," he said. "There was a different approach which hadn&amp;#39;t been considered at the time, and the approach would be not to censor the show but warn the audience."&#13;
&#13;
But Holdren said she asked Trachtenberg on Thursday to consider allowing the use of realistic-looking weapons if the staff included a warning before each show. At the time, Trachtenberg found that alternative unacceptable, Holdren said. She said that although the change comes too late to affect her show, which ended its run on Saturday, she is glad the administration has considered the issue more carefully.&#13;
&#13;
"Obviously professional theater companies do shows with weapons all of the time and it&amp;#39;s up to the audience&amp;#39;s discretion whether or not to watch," she said.&#13;
&#13;
Trachtenberg declined to comment Tuesday night about the reversal of her decision, but over the weekend she told the News that student criticism of the stage weapons ban had been exaggerated.&#13;
&#13;
"I think people should start thinking about other people rather than trying to feel sorry for themselves and thinking that the administration is trying to thwart their creativity," Trachtenberg said. "They&amp;#39;re not using their own intelligence. ... We have to think of the people who might be affected by seeing real-life weapons."&#13;
&#13;
Dustin Cho &amp;#39;08, chair of the Yale chapter of the American Civil Liberties Union, said "knee jerk" reactions are common after national tragedies, but that such limitations on free speech inhibit any meaningful dialogue. Generally Yale is very good at protecting free speech, he said.&#13;
&#13;
"It&amp;#39;s quite a stretch to say that substituting realistic-looking prop swords with wooden ones showed more sensitivity to the shooting victims," he said. "This was a grave mistake, but I&amp;#39;m glad they took care of it immediately."&#13;
&#13;
Trachtenberg, who has served as Dean of Student Affairs for 20 years, announced in November that she is stepping down at the end of the academic year.&#13;
&#13;
--&#13;
&#13;
Original Source: &lt;a href="http://www.yaledailynews.com/articles/view/20927"&gt; Yale Daily News - April 25, 2007 &lt;/a&gt;</text>
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                <text>Published: Monday, April 23, 2007&#13;
&#13;
&#13;
Cullen Macbeth&#13;
Staff Reporter&#13;
&#13;
Members of Yale&amp;#39;s undergraduate theater community reacted with anger over the weekend to Dean of Student Affairs Betty Trachtenberg&amp;#39;s decision to bar performance groups â€” at least temporarily â€” from using life-like weapons in their productions.&#13;
&#13;
The new rule is meant to protect audience members who may have connections to last week&amp;#39;s deadly gun massacre at Virginia Tech University or who may react adversely to violence on stage because of personal experiences, Trachtenberg said. But many students said the new restrictions represent inappropriate censorship of student artwork and that Trachtenberg should not have implemented them without soliciting student input beforehand.&#13;
&#13;
The new restrictions were put in place to protect people in the Yale and New Haven communities who live or have friends who live in Virginia, or who have seen people die by gun violence, Trachtenberg said. She said the outcry from students upset with her decision has been exaggerated.&#13;
&#13;
"I think people should start thinking about other people rather than trying to feel sorry for themselves and thinking that the administration is trying to thwart their creativity," Trachtenberg said. "They&amp;#39;re not using their own intelligence. ... We have to think of the people who might be affected by seeing real-life weapons."&#13;
&#13;
The new restrictions do not ban all types of stage weapons, Trachtenberg said. She said she did not prevent an instructor in theater studies who talked to her on Friday from using a dulled knife to cut a cabbage head in a production, for example.&#13;
&#13;
This weekend&amp;#39;s productions of "Red Noses" and "Orpheus in the Underworld" were affected by the rule change. "Red Noses" had to substitute wooden swords for more realistic-looking ones after learning of the rule from Trachtenberg on Thursday.&#13;
&#13;
The University overstepped its bounds by prohibiting the ways in which students can express themselves on stage, said Dara Lind &amp;#39;09, who has managed and produced several campus performances.&#13;
&#13;
"Personally, I am very strongly anti-censorship as far as the arts are concerned," she said. "I don&amp;#39;t understand what gives the college the right to try to circumscribe artistic expression like that."&#13;
&#13;
Lind is a staff columnist for the News.&#13;
&#13;
Students should be left to decide for themselves what is appropriate to include in their productions and should be able to use theater to realistically portray a range of topics, including those relating to gun violence, Yale Drama Coalition Vice President Mike Leibenluft &amp;#39;10 said. While he was in high school, Leibenluft said, he worked on a show about the Columbine High School shootings that documented witnesses&amp;#39; reactions to the violence.&#13;
&#13;
"I think the fact that it assumes that we first of all can&amp;#39;t deal with these issues in a dramatic setting and also we can&amp;#39;t take responsibility for the theater that is produced and the reaction it has from Yale students is pretty shocking," he said. "I was incredibly surprised by it. I think it&amp;#39;s totally inappropriate."&#13;
&#13;
Leibenluft said Trachtenberg should have consulted with students before implementing the new regulation.&#13;
&#13;
But Yale Dramatic Association President Emmett Zackheim &amp;#39;08 said he is not concerned by the ban because he thinks the normal rules governing the use of weapons in theatrical productions will be reinstated before long.&#13;
&#13;
"I don&amp;#39;t think it&amp;#39;s a disaster for everyone involved in theater," he said. "It essentially doesn&amp;#39;t concern me. I probably wouldn&amp;#39;t have done the same thing necessarily, but I&amp;#39;m not really concerned by it."&#13;
&#13;
Trachtenberg has not yet decided whether the new restrictions will be in place permanently and will review the decision as "things settle down," she said. She said she consulted with representatives from the Theater Studies Program and did not make a "unilateral decision" about the rule.&#13;
&#13;
Lind and several other students formed a "FEAR NO ART" Facebook group over the weekend to protest Trachtenberg&amp;#39;s decision and discussed ways to try to get the rule reversed. The groups have not yet decided on a definite plan, she said, but they may stage a rally on Beinecke Plaza or attempt to set up a meeting with Trachtenberg to discuss the rule.&#13;
&#13;
"As far as collaboration is concerned, it will probably just be easiest to take public action," Lind said. "The best way to prove that art gives much more to the student body than it takes away is to have public art and demonstrate to people what the benefit is of having unrestricted artistic expression."&#13;
&#13;
The continuation of the new restrictions could hamper the theater community&amp;#39;s willingness and ability to put on a wide variety of shows, YDC founder Eyad Houssami &amp;#39;07 said. He said he would have "strong reservations" about agreeing to produce a show that requires stage weapons â€” such as the one he put on for his senior project, which required a shotgun â€” if the ban on realistic props remains in place.&#13;
&#13;
"When you&amp;#39;re using realistic props, it doesn&amp;#39;t make sense to substitute them with children&amp;#39;s toys, because you are making a mockery of the play and of the character," Houssami said. "I feel like by banning weapons from the stage at Yale, we are kind of silencing a potentially fruitful debate on violence and the nature of violence in America today."&#13;
&#13;
The University had rules in place before last week that limited the kinds of weapons students could use in productions, Trachtenberg said, but she does not know the exact provisions.&#13;
&#13;
--&#13;
&#13;
Original Source: &lt;a href="http://www.yaledailynews.com/articles/view/20886"&gt; Yale Daily News - April 23, 2007 &lt;/a&gt;</text>
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                <text>Published: Friday, April 20, 2007&#13;
&#13;
&#13;
Courtney Long&#13;
Staff Reporter and Copy Editor&#13;
&#13;
In the wake of Monday&amp;#39;s massacre at Virginia Tech in which a student killed 32 people, Dean of Student Affairs Betty Trachtenberg has limited the use of stage weapons in theatrical productions.&#13;
&#13;
Students involved in this weekend&amp;#39;s production of "Red Noses" said they first learned of the new rules on Thursday morning, the same day the show was slated to open. They were subsequently forced to alter many of the scenes by swapping more realistic-looking stage swords for wooden ones, a change that many students said was neither a necessary nor a useful response to the tragedy at Virginia Tech.&#13;
&#13;
According to students involved in the production, Trachtenberg has banned the use of some stage weapons in all of the University&amp;#39;s theatrical productions. While shows will be permitted to use obviously fake plastic weapons, students said, those that hoped to stage more realistic scenes of stage violence have had to make changes to their props.&#13;
&#13;
Trachtenberg could not be reached for comment Thursday night.&#13;
&#13;
"Red Noses" director Sarah Holdren &amp;#39;08 said she first heard about the changes in a phone call from a friend as she arrived at the Off-Broadway Theater on Thursday morning. At the theater, technical director Jim Brewczynski told her about the new regulations. The pair then met with Trachtenberg, who initially wanted no stage weapons to be used in the show, Holdren said, though she later agreed to permit the use of obviously fake weapons.&#13;
&#13;
In a speech made before last night&amp;#39;s opening show of "Red Noses," Holdren said that Trachtenberg&amp;#39;s decision to force the production to use wooden swords instead of metal swords will do little to stem violence in the world.&#13;
&#13;
"Calling for an end to violence onstage does not solve the world&amp;#39;s suffering: It merely sweeps it under the rug, turning theater â€” in the words of this very play â€” into &amp;#39;creamy bon-bons&amp;#39; instead of &amp;#39;solid fare&amp;#39; for a thinking, feeling audience," she said. "Here at Yale, sensitivity and political correctness have become censorship in this time of vital need for serious artistic expression."&#13;
&#13;
Holdren said she is primarily worried about the University&amp;#39;s decision to place limitations on art, rather than the specific inconvenience to her production.&#13;
&#13;
"I completely understand that the University needs to respond to the tragedy, but I think it is wrong to conflate sensitivity and censorship," she said in an interview. "It is wrong to assume that any theater that deals with tragic matter is sort of on the side of those things or out to get people; they&amp;#39;re not â€” they&amp;#39;re out to help people through things like this. I want my show and all shows to be uplifting to people. That&amp;#39;s why I&amp;#39;m upset about this â€” it&amp;#39;s not because my props were taken â€” it&amp;#39;s about imposing petty restrictions on art as the right way to solve the problems in the world."&#13;
&#13;
Brandon Berger &amp;#39;10, who plays a swordsman in the show, said the switch to an obviously fake wooden sword has changed the nature of his part from an "evil, errant knight to a petulant child."&#13;
&#13;
"They&amp;#39;re trying to make an appropriate gesture, but they did it in an inappropriate way â€” they&amp;#39;ve neutered the play," he said. "The violence is important to what it actually means. What these types of actions do is very central â€” it is not gratuitous."&#13;
&#13;
Susie Kemple &amp;#39;08, an actress in the show, said Trachtenberg&amp;#39;s way of dealing with the Virginia Tech massacre was not beneficial to the students&amp;#39; own mourning process.&#13;
&#13;
"It is problematic because all of us were incredibly shocked by the events at Virginia Tech," Kemple said. "We turn to extracurriculars in our grief [and] the Yale administration makes the healing more difficult. None of the shows are about massive gun violence â€” this show is about showing and explaining the human experience."&#13;
&#13;
Berger also said he finds the ruling inconsistent because forms of stage violence that do not involve weapons â€” such as hangings â€” are still permitted.&#13;
&#13;
"Red Noses" will end its run Saturday night.&#13;
&#13;
--&#13;
&#13;
Original Source: &lt;a href=http://www.yaledailynews.com/articles/view/20843&gt; Yale Daily News - April 20, 2007 &lt;/a&gt;</text>
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